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The musical representation : meaning, ontology, and emotion
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The musical representation : meaning, ontology, and emotion

by Charles O. Nussbaum

This work presents a naturalistic theory of musical representation based on the relationship between sound physics, the human mind-brain, and evolutionary history. It analyses Western tonal art music as a symbolic system that evokes cognitive and emotional responses.

Accession 10545 ISBN 9780262140966 Publisher MIT Press
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Curated Derived
Art Communication Family and Society Life Sciences Music Philosophy Psychology Science Social Sciences
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2026-06-02 20:17
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vertical
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LOCATION HISTORY
G:W2:6 4 Current vertical
3 days, 15 hours ago
G:W2:9 3 vertical
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Identity

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The musical representation : meaning, ontology, and emotion
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vernon_slug
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2007
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brief_description
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Subjects & people

authors→ author (initial fill only)
Charles O. Nussbaum
tags→ tags
Science, Psychology, Life sciences, Philosophy, Music, Emotions, Sound, Evolution (Biology), Biology, Cognition, Aesthetics, Ontology, Neurosciences, Medical sciences, Meaning (Philosophy), Perception, Emotion in music, Music -- Philosophy and aesthetics, Representation (Philosophy), Tone colour (Music), Music -- Acoustics and physics
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Immanuel Kant (German, b.1724, d.1804)
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