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The science of art : optical themes in western art from Brunelleschi to Seurat
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The science of art : optical themes in western art from Brunelleschi to Seurat

by Martin Kemp

This study explores the influence of perspective and colour optics on European painting from the Renaissance to the nineteenth century. It examines how artists and theorists applied scientific principles to the imitation of nature.

Accession 11739 ISBN 0300043376 Publisher Yale University Press
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TAGS
Curated Derived
Art Nature Painting Philosophy Science
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State
on_shelf
True
position_updated_at
2026-06-05 17:02
orientation
vertical
Details

Physical

binding_type
Hard Back
dimensions
none captured
spine_text
none captured

Metadata

Book form
LOCATION HISTORY
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Book Location
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Last synced 2026-05-26 08:10 (1 week, 4 days ago)

Identity

name→ title
The science of art : optical themes in western art from Brunelleschi to Seurat
vernon_id
15530
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11739
vernon_slug
the-science-of-art-optical-themes-in-western-art-from-brunelleschi-to-seurat-martin-kemp

Drives Pulse state

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location_name
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location_reason
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isbn_issn→ isbn (when valid)
0300043376

Descriptive

production_date
1990
object_type
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object_status
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brief_description
How the invention of perspective influenced art theorists. Colour theory and how painters are influenced, or not, by philosophy and science.

Subjects & people

authors→ author (initial fill only)
Martin Kemp
tags→ tags
Art, Arts, Science, Graphic arts, Philosophy, Nature (Aesthetics), Aesthetics, Painting -- Technique, Colour in art, Composition (Art), Perspective
subject_people
subject_objects

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Topics and Themes