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The hallelujah effect : philosophical reflections on music, performance practice, and technology
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The hallelujah effect : philosophical reflections on music, performance practice, and technology

by Babette Babich

This study examines the cultural impact of Leonard Cohen's Hallelujah and k.d. lang's interpretations within digital network culture. It applies Nietzschean and Adornoan theories to analyse gender, desire, and the transformation of music through recording technologies.

Accession 11833 ISBN 9781409449607 Publisher Routledge
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TAGS
Curated Derived
Art Communication Culture Economics Music Philosophy Science Social Sciences
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True
position_updated_at
2026-06-03 17:19
orientation
vertical
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dimensions
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spine_text
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Metadata

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LOCATION HISTORY
M:S4:25 5 Current vertical
2 days, 19 hours ago
G:W2:6 3 vertical
3 days, 16 hours ago
G:W2:8 5 vertical
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Updated 2 days, 19 hours ago
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The hallelujah effect : philosophical reflections on music, performance practice, and technology
vernon_id
15653
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11833
vernon_slug
the-hallelujah-effect-philosophical-reflections-on-music-performance-practice-and-technology-babette-babich

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isbn_issn→ isbn (when valid)
9781409449607

Descriptive

production_date
2016
object_type
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object_status
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brief_description
This book studies the working efficacy of Leonard Cohen's song Hallelujah in the context of today's network culture. -- From back cover.

Subjects & people

authors→ author (initial fill only)
Babette Babich
tags→ tags
Science, Philosophy, Social sciences, Civilisation, Sociology, Music, Communication, Technology, Music -- Performance, Aesthetics, Social media, Music -- Philosophy and aesthetics, Performance practice (Music)
subject_people
Leonard Cohen (Canadian, b.1934, d.2016), Cohen, Leonard, 1934-2016. Hallelujah
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