Skip to main content
Withdrawn
Edit position
Edit position

No position recorded yet. Picking a shelf here sets the manual override.

Picture titles : how and why western paintings acquired their names / Ruth Bernard Yeazell
Diagnose this book
Open in Vernon Browser

Picture titles : how and why western paintings acquired their names / Ruth Bernard Yeazell

by Ruth Bernard Yeazell

No description yet.

Accession 11854 ISBN 9780691165271 Publisher Princeton University Press
Book Images
Reference and live side by side Hover to see live images
Reference
Picture titles : how and why western paintings acquired their names / Ruth Bernard Yeazell cover
Live
No live
No live
No live
Picture titles : how and why western paintings acquired their names / Ruth Bernard Yeazell cover
No live
TAGS
Curated Derived
Art Critics Culture Economics Institutions Linguistics Painting Professions Social Sciences Writing
CONNECTIONS
No connections
State
on_shelf
False
position_updated_at
never
orientation
unknown
Details

Physical

binding_type
Hard Back
dimensions
none captured
spine_text
none captured
LOCATION HISTORY
No location history available for this book.
Vernon snapshot
View live

Frozen copy of Vernon's record from the last sync. Fields tagged flow back into the Pulse record.

Last synced 2026-05-21 14:30 (3 days, 9 hours ago)

Identity

name→ title
Picture titles : how and why western paintings acquired their names / Ruth Bernard Yeazell
vernon_id
15738
accession_no→ accession_number
11854
vernon_slug
picture-titles-how-and-why-western-paintings-acquired-their-names-ruth-bernard-yeazell

Drives Pulse state

curr_loc_status→ on_shelf
Transit
location_name
MPR/Level 1/Phrontisterion/MONA
location_reason
Transit
isbn_issn→ isbn (when valid)
9780691165271

Descriptive

production_date
2015
object_type
Books/Document genres/Information forms/Visual and Verbal Communication
object_status
Accessioned
brief_description
A picture's title is often our first guide to understanding the image. Yet paintings didn't always have titles, and many canvases acquired their names from curators, dealers, and printmakers--not the artists. Taking an original, historical look at how Western paintings were named, 'Picture titles' shows how the practice developed in response to the conditions of the modern art world and how titles have shaped the reception of artwork from the time of Bruegel and Rembrandt to the present. Ruth Bernard Yeazell begins the story with the decline of patronage and the rise of the art market in the seventeenth and eighteenth centuries, as the increasing circulation of pictures and the democratization of the viewing public generated the need for a shorthand by which to identify works at a far remove from their creation.

Subjects & people

authors→ author (initial fill only)
Ruth Bernard Yeazell
tags→ tags
Art, Arts, Art -- Exhibitions, Landscape painting, Painting, Graphic arts, Art, Modern -- 20th century, Social sciences, Civilisation, Public institutions, Associations, institutions, etc., Museums, Rhetoric, Authorship, Economics, Industries, Art museums, Art & Language (Group), Conceptual art, Criticism, Art critics, Critics, Language and languages in art, Painting, Italian, Art patrons, Art patronage, Art and industry, Titles of works of art
subject_people
Steven Pinker (b.1954), Pablo Picasso (b.1881, d.1973), René Magritte (b.1898, d.1967), Jasper Johns (American, b.1930), Rembrandt van Rijn (Dutch, b.1606, d.1669), J. M. W. Turner (English, b.1775, d.1851), James Abbott McNeill Whistler (American, b.1834, d.1903), Jacques-Louis David (French, b.1748, d.1825), Gustave Courbet (French, b.1819, d.1877), Musée du Louvre
subject_objects

Cover image

vernon_cover_image_id→ cover_image
18569

Raw Vernon JSON

click to inspect

The source payload behind the snapshot above.

Use ⌘F to search once expanded.
{7 keys}
"slug": "picture-titles-how-and-why-western-paintings-acquired-their-names-ruth-bernard-yeazell"
"opacObjectId": "15738"
"opacCollection": {1 keys}
"opacCollectionId": "1"
"imagesCollection": {2 keys}
"images": [1 items]
"[0]": {5 keys}
"imageId": "18569"
"cssColors": [4 items]
"[0]": {9 keys}
"hex": "a9a9a9"
"hue": 0
"rank": 1
"presence": 84.02
"colorName": "darkgray"
"lightness": 66
"colorGroup": "gray"
"saturation": 0
"formattedColorName": "dark gray"
"[1]": {9 keys}
"hex": "dcdcdc"
"hue": 0
"rank": 2
"presence": 12.07
"colorName": "gainsboro"
"lightness": 86
"colorGroup": "gray"
"saturation": 0
"formattedColorName": "gainsboro"
"[2]": {9 keys}
"hex": "a0522d"
"hue": 19
"rank": 3
"presence": 2.11
"colorName": "sienna"
"lightness": 40
"colorGroup": "brown"
"saturation": 56
"formattedColorName": "sienna"
"[3]": {9 keys}
"hex": "000000"
"hue": 0
"rank": 4
"presence": 0.83
"colorName": "black"
"lightness": 0
"colorGroup": "gray"
"saturation": 0
"formattedColorName": "black"
"rawColors": [7 items]
"[0]": {6 keys}
"hex": "979995"
"hue": 90
"rank": 1
"presence": 84.02
"lightness": 59
"saturation": 1
"[1]": {6 keys}
"hex": "e4e1de"
"hue": 30
"rank": 2
"presence": 12.07
"lightness": 88
"saturation": 9
"[2]": {6 keys}
"hex": "785c3a"
"hue": 32
"rank": 3
"presence": 2.11
"lightness": 34
"saturation": 34
"[3]": {6 keys}
"hex": "393930"
"hue": 60
"rank": 4
"presence": 0.83
"lightness": 20
"saturation": 8
"[4]": {6 keys}
"hex": "573e2b"
"hue": 25
"rank": 5
"presence": 0.93
"lightness": 25
"saturation": 33
"[5]": {6 keys}
"hex": "ccd4cf"
"hue": 142
"rank": 6
"presence": 0.02
"lightness": 81
"saturation": 8
"[6]": {6 keys}
"hex": "ccccd4"
"hue": 240
"rank": 7
"presence": 0.01
"lightness": 81
"saturation": 8
"imageLabels": [10 items]
"[0]": {5 keys}
"count": 10019
"score": 81.65
"status": "auto_verified"
"imageLabel": "Rectangle"
"imageLabelId": 11
"[1]": {5 keys}
"count": 19411
"score": 78.5
"status": "auto_verified"
"imageLabel": "Font"
"imageLabelId": 12
"[2]": {5 keys}
"count": 3188
"score": 76.41
"status": "auto_verified"
"imageLabel": "Wood"
"imageLabelId": 3
"[3]": {5 keys}
"count": 2523
"score": 65.17
"status": "auto_verified"
"imageLabel": "Metal"
"imageLabelId": 9
"[4]": {5 keys}
"count": 109
"score": 64.49
"status": "auto_verified"
"imageLabel": "Concrete"
"imageLabelId": 86
"[5]": {5 keys}
"count": 4012
"score": 64.08
"status": "auto_verified"
"imageLabel": "Paper product"
"imageLabelId": 72
"[6]": {5 keys}
"count": 3468
"score": 63.9
"status": "auto_verified"
"imageLabel": "Paper"
"imageLabelId": 54
"[7]": {5 keys}
"count": 5578
"score": 61.41
"status": "auto_verified"
"imageLabel": "Pattern"
"imageLabelId": 24
"[8]": {5 keys}
"count": 2836
"score": 60.21
"status": "auto_verified"
"imageLabel": "History"
"imageLabelId": 80
"[9]": {5 keys}
"count": 484
"score": 55.35
"status": "auto_verified"
"imageLabel": "Number"
"imageLabelId": 82
"imageDerivatives": [6 items]
"[0]": {4 keys}
"url": "https://browser.mona.net.au/records/images/large/4446/ee24145879d50352c7deec3f7b56dd0065578736.jpg"
"width": "557"
"height": "800"
"identifier": "LARGE"
"[1]": {4 keys}
"url": "https://browser.mona.net.au/records/images/medium/4446/ee24145879d50352c7deec3f7b56dd0065578736.jpg"
"width": "279"
"height": "400"
"identifier": "MEDIUM"
"[2]": {4 keys}
"url": "https://browser.mona.net.au/records/images/nano/4446/ee24145879d50352c7deec3f7b56dd0065578736.jpg"
"width": "24"
"height": "35"
"identifier": "NANO"
"[3]": {4 keys}
"url": "https://browser.mona.net.au/records/images/small/4446/ee24145879d50352c7deec3f7b56dd0065578736.jpg"
"width": "105"
"height": "150"
"identifier": "SMALL"
"[4]": {4 keys}
"url": "https://browser.mona.net.au/records/images/tiny/4446/ee24145879d50352c7deec3f7b56dd0065578736.jpg"
"width": "52"
"height": "75"
"identifier": "TINY"
"[5]": {4 keys}
"url": "https://browser.mona.net.au/records/images/xlarge/4446/ee24145879d50352c7deec3f7b56dd0065578736.jpg"
"width": "836"
"height": "1200"
"identifier": "XLARGE"
"totalImages": 1
"objectSearchScore": 1.3132818
"opacObjectFieldSets": [40 items]
"[0]": {2 keys}
"identifier": "accession_no"
"opacObjectFields": [1 items]
"[0]": {1 keys}
"value": "11854"
"[1]": {2 keys}
"identifier": "name"
"opacObjectFields": [1 items]
"[0]": {2 keys}
"value": "Picture titles : how and why western paintings acquired their names / Ruth Bernard Yeazell"
"opacObjectFieldAttributes": [1 items]
"[0]": {2 keys}
"key": "title"
"value": "Picture titles : how and why western paintings acquired their names / Ruth Bernard Yeazell"
"[2]": {2 keys}
"identifier": "other_name"
"opacObjectFields": [1 items]
"[0]": {1 keys}
"value": ""
"[3]": {2 keys}
"identifier": "artist_last_first"
"opacObjectFields": [1 items]
"[0]": {1 keys}
"value": "Yeazell, Ruth Bernard"
"[4]": {2 keys}
"identifier": "prod_pri_date"
"opacObjectFields": [1 items]
"[0]": {2 keys}
"value": "2015"
"opacObjectFieldAttributes": [2 items]
"[0]": {2 keys}
"key": "earliest_date"
"value": "2015-01-01Z"
"[1]": {2 keys}
"key": "latest_date"
"value": "2015-12-31Z"
"[5]": {2 keys}
"identifier": "prod_pri_date_notes"
"opacObjectFields": [1 items]
"[0]": {1 keys}
"value": ""
"[6]": {2 keys}
"identifier": "edition"
"opacObjectFields": [1 items]
"[0]": {1 keys}
"value": ""
"[7]": {2 keys}
"identifier": "brief_desc"
"opacObjectFields": [1 items]
"[0]": {1 keys}
"value": "A picture's title is often our first guide to understanding the image. Yet paintings didn't always have titles, and many canvases acquired their names from curators, dealers, and printmakers--not the artists. Taking an original, historical look at how Western paintings were named, 'Picture titles' shows how the practice developed in response to the conditions of the modern art world and how titles have shaped the reception of artwork from the time of Bruegel and Rembrandt to the present. Ruth Bernard Yeazell begins the story with the decline of patronage and the rise of the art market in the seventeenth and eighteenth centuries, as the increasing circulation of pictures and the democratization of the viewing public generated the need for a shorthand by which to identify works at a far remove from their creation."
"[8]": {2 keys}
"identifier": "measure_desc"
"opacObjectFields": [1 items]
"[0]": {1 keys}
"value": ""
"[9]": {2 keys}
"identifier": "credit_line"
"opacObjectFields": [1 items]
"[0]": {1 keys}
"value": ""
"[10]": {2 keys}
"identifier": "curr_loc_status"
"opacObjectFields": [1 items]
"[0]": {2 keys}
"value": "Transit"
"opacObjectFieldAttributes": [1 items]
"[0]": {2 keys}
"key": "search"
"value": "curr_loc_status:"Transit""
"[11]": {2 keys}
"identifier": "ob_status"
"opacObjectFields": [1 items]
"[0]": {1 keys}
"value": "Accessioned"
"[12]": {2 keys}
"identifier": "lender"
"opacObjectFields": [1 items]
"[0]": {1 keys}
"value": ""
"[13]": {2 keys}
"identifier": "copyright_owner"
"opacObjectFields": [1 items]
"[0]": {1 keys}
"value": ""
"[14]": {2 keys}
"identifier": "copyright_type"
"opacObjectFields": [1 items]
"[0]": {1 keys}
"value": ""
"[15]": {2 keys}
"identifier": "copyright_start"
"opacObjectFields": [0 items]
"[16]": {2 keys}
"identifier": "copyright_expiry"
"opacObjectFields": [0 items]
"[17]": {2 keys}
"identifier": "copyright_notes"
"opacObjectFields": [1 items]
"[0]": {1 keys}
"value": ""
"[18]": {2 keys}
"identifier": "curr_loc"
"opacObjectFields": [1 items]
"[0]": {1 keys}
"value": "MPR/Level 1/Phrontisterion/MONA"
"[19]": {2 keys}
"identifier": "object_type"
"opacObjectFields": [1 items]
"[0]": {2 keys}
"value": "Books/Document genres/Information forms/Visual and Verbal Communication"
"opacObjectFieldAttributes": [1 items]
"[0]": {2 keys}
"key": "search"
"value": "object_type:"Books/Document genres/Information forms/Visual and Verbal Communication""
"[20]": {2 keys}
"identifier": "collection"
"opacObjectFields": [1 items]
"[0]": {2 keys}
"value": "Main Collection/Library"
"opacObjectFieldAttributes": [1 items]
"[0]": {2 keys}
"key": "search"
"value": "collection:"Main Collection/Library""
"[21]": {2 keys}
"identifier": "prod_pri_place"
"opacObjectFields": [1 items]
"[0]": {1 keys}
"value": ""
"[22]": {2 keys}
"identifier": "prod_pri_publisher"
"opacObjectFields": [1 items]
"[0]": {1 keys}
"value": "Princeton University Press"
"[23]": {2 keys}
"identifier": "physical_notes"
"opacObjectFields": [2 items]
"[0]": {1 keys}
"value": "331 pages : illustrations (some color) ; 25 cm."
"[1]": {1 keys}
"value": "Includes bibliographical references and index."
"[24]": {2 keys}
"identifier": "language"
"opacObjectFields": [1 items]
"[0]": {1 keys}
"value": "English"
"[25]": {2 keys}
"identifier": "isbn_issn"
"opacObjectFields": [1 items]
"[0]": {1 keys}
"value": "9780691165271"
"[26]": {2 keys}
"identifier": "user_sym_1"
"opacObjectFields": [1 items]
"[0]": {1 keys}
"value": "702.8 YEA"
"[27]": {2 keys}
"identifier": "usual_loc_being"
"opacObjectFields": [1 items]
"[0]": {1 keys}
"value": "Open Shelving/Library/Roundhouse Complex"
"[28]": {2 keys}
"identifier": "subject_class"
"opacObjectFields": [11 items]
"[0]": {2 keys}
"value": "Art & Language (Group)/Conceptual art/Art, Modern -- 20th century"
"opacObjectFieldAttributes": [1 items]
"[0]": {2 keys}
"key": "search"
"value": "subject_class:"Art & Language (Group)/Conceptual art/Art, Modern -- 20th century""
"[1]": {2 keys}
"value": "Art -- Exhibitions/Arts"
"opacObjectFieldAttributes": [1 items]
"[0]": {2 keys}
"key": "search"
"value": "subject_class:"Art -- Exhibitions/Arts""
"[2]": {2 keys}
"value": "Art and industry/Industries/Economics/Social sciences/Civilisation"
"opacObjectFieldAttributes": [1 items]
"[0]": {2 keys}
"key": "search"
"value": "subject_class:"Art and industry/Industries/Economics/Social sciences/Civilisation""
"[3]": {2 keys}
"value": "Art critics/Critics/Criticism/Rhetoric/Authorship"
"opacObjectFieldAttributes": [1 items]
"[0]": {2 keys}
"key": "search"
"value": "subject_class:"Art critics/Critics/Criticism/Rhetoric/Authorship""
"[4]": {2 keys}
"value": "Art museums/Museums/Public institutions/Associations, institutions, etc."
"opacObjectFieldAttributes": [1 items]
"[0]": {2 keys}
"key": "search"
"value": "subject_class:"Art museums/Museums/Public institutions/Associations, institutions, etc.""
"[5]": {2 keys}
"value": "Art patrons/Art patronage/Art and industry/Industries/Economics/Social sciences/Civilisation"
"opacObjectFieldAttributes": [1 items]
"[0]": {2 keys}
"key": "search"
"value": "subject_class:"Art patrons/Art patronage/Art and industry/Industries/Economics/Social sciences/Civilisation""
"[6]": {2 keys}
"value": "Painting, Italian"
"opacObjectFieldAttributes": [1 items]
"[0]": {2 keys}
"key": "search"
"value": "subject_class:"Painting, Italian""
"[7]": {2 keys}
"value": "Landscape painting/Painting/Graphic arts/Art/Arts"
"opacObjectFieldAttributes": [1 items]
"[0]": {2 keys}
"key": "search"
"value": "subject_class:"Landscape painting/Painting/Graphic arts/Art/Arts""
"[8]": {2 keys}
"value": "Language and languages in art"
"opacObjectFieldAttributes": [1 items]
"[0]": {2 keys}
"key": "search"
"value": "subject_class:"Language and languages in art""
"[9]": {2 keys}
"value": "Painting/Graphic arts/Art/Arts"
"opacObjectFieldAttributes": [1 items]
"[0]": {2 keys}
"key": "search"
"value": "subject_class:"Painting/Graphic arts/Art/Arts""
"[10]": {2 keys}
"value": "Titles of works of art/Art/Arts"
"opacObjectFieldAttributes": [1 items]
"[0]": {2 keys}
"key": "search"
"value": "subject_class:"Titles of works of art/Art/Arts""
"[29]": {2 keys}
"identifier": "subject_date"
"opacObjectFields": [0 items]
"[30]": {2 keys}
"identifier": "subject_event"
"opacObjectFields": [1 items]
"[0]": {1 keys}
"value": ""
"[31]": {2 keys}
"identifier": "subject_period"
"opacObjectFields": [1 items]
"[0]": {1 keys}
"value": ""
"[32]": {2 keys}
"identifier": "subject_object"
"opacObjectFields": [1 items]
"[0]": {1 keys}
"value": ""
"[33]": {2 keys}
"identifier": "subject_person"
"opacObjectFields": [10 items]
"[0]": {2 keys}
"value": "Steven Pinker (b.1954)"
"opacObjectFieldAttributes": [1 items]
"[0]": {2 keys}
"key": "search"
"value": "subject_person:"Steven Pinker (b.1954)""
"[1]": {2 keys}
"value": "Pablo Picasso (b.1881, d.1973)"
"opacObjectFieldAttributes": [1 items]
"[0]": {2 keys}
"key": "search"
"value": "subject_person:"Pablo Picasso (b.1881, d.1973)""
"[2]": {2 keys}
"value": "René Magritte (b.1898, d.1967)"
"opacObjectFieldAttributes": [1 items]
"[0]": {2 keys}
"key": "search"
"value": "subject_person:"René Magritte (b.1898, d.1967)""
"[3]": {2 keys}
"value": "Jasper Johns (American, b.1930)"
"opacObjectFieldAttributes": [1 items]
"[0]": {2 keys}
"key": "search"
"value": "subject_person:"Jasper Johns (American, b.1930)""
"[4]": {2 keys}
"value": "Rembrandt van Rijn (Dutch, b.1606, d.1669)"
"opacObjectFieldAttributes": [1 items]
"[0]": {2 keys}
"key": "search"
"value": "subject_person:"Rembrandt van Rijn (Dutch, b.1606, d.1669)""
"[5]": {2 keys}
"value": "J. M. W. Turner (English, b.1775, d.1851)"
"opacObjectFieldAttributes": [1 items]
"[0]": {2 keys}
"key": "search"
"value": "subject_person:"J. M. W. Turner (English, b.1775, d.1851)""
"[6]": {2 keys}
"value": "James Abbott McNeill Whistler (American, b.1834, d.1903)"
"opacObjectFieldAttributes": [1 items]
"[0]": {2 keys}
"key": "search"
"value": "subject_person:"James Abbott McNeill Whistler (American, b.1834, d.1903)""
"[7]": {2 keys}
"value": "Jacques-Louis David (French, b.1748, d.1825)"
"opacObjectFieldAttributes": [1 items]
"[0]": {2 keys}
"key": "search"
"value": "subject_person:"Jacques-Louis David (French, b.1748, d.1825)""
"[8]": {2 keys}
"value": "Gustave Courbet (French, b.1819, d.1877)"
"opacObjectFieldAttributes": [1 items]
"[0]": {2 keys}
"key": "search"
"value": "subject_person:"Gustave Courbet (French, b.1819, d.1877)""
"[9]": {2 keys}
"value": "Musée du Louvre"
"opacObjectFieldAttributes": [1 items]
"[0]": {2 keys}
"key": "search"
"value": "subject_person:"Musée du Louvre""
"[34]": {2 keys}
"identifier": "subject_place"
"opacObjectFields": [3 items]
"[0]": {2 keys}
"value": "Netherlands"
"opacObjectFieldAttributes": [1 items]
"[0]": {2 keys}
"key": "search"
"value": "subject_place:"Netherlands""
"[1]": {2 keys}
"value": "England"
"opacObjectFieldAttributes": [1 items]
"[0]": {2 keys}
"key": "search"
"value": "subject_place:"England""
"[2]": {2 keys}
"value": "United States of America"
"opacObjectFieldAttributes": [1 items]
"[0]": {2 keys}
"key": "search"
"value": "subject_place:"United States of America""
"[35]": {2 keys}
"identifier": "assoc_person"
"opacObjectFields": [1 items]
"[0]": {1 keys}
"value": ""
"[36]": {2 keys}
"identifier": "assoc_place"
"opacObjectFields": [1 items]
"[0]": {1 keys}
"value": ""
"[37]": {2 keys}
"identifier": "assoc_event"
"opacObjectFields": [1 items]
"[0]": {1 keys}
"value": ""
"[38]": {2 keys}
"identifier": "assoc_object"
"opacObjectFields": [1 items]
"[0]": {1 keys}
"value": ""
"[39]": {2 keys}
"identifier": "user_sym_9"
"opacObjectFields": [1 items]
"[0]": {1 keys}
"value": ""
"relationshipsCollection": {2 keys}
"relationships": [1 items]
"[0]": {4 keys}
"relatedRecords": [1 items]
"[0]": {3 keys}
"slug": "ruth-bernard-yeazell"
"title": "Ruth Bernard Yeazell"
"relatedRecordId": "23890"
"relationshipId": "object_prod_pri_person"
"relatedRecordType": "person"
"totalRelatedRecords": 1
"totalRelationships": 1