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Face and mask : a double history / Hans Belting ; translated by Thomas S. Hansen and Abby J. Hansen
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Face and mask : a double history / Hans Belting ; translated by Thomas S. Hansen and Abby J. Hansen

by Hans Belting, Thomas S. Hansen, Abby J. Hansen

A cultural history and anthropology of the human face across centuries and media, from funerary masks to modern media. This study examines the evolution of portraiture, analysing how the visage has both inspired and evaded artistic representation.

Accession 12075 ISBN 9780691162355 Publisher —
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Face and mask : a double history / Hans Belting ; translated by Thomas S. Hansen and Abby J. Hansen cover
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TAGS
Curated Derived
Art Biology Communication Culture Decorative Arts Entertainment Facial expression Family and Society Music Psychology Science Social Sciences
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binding_type
Hard Back
dimensions
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spine_text
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Identity

name→ title
Face and mask : a double history / Hans Belting ; translated by Thomas S. Hansen and Abby J. Hansen
vernon_id
16209
accession_no→ accession_number
12075
vernon_slug
face-and-mask-a-double-history-hans-belting-translated-by-thomas-s-hansen-and-abby-j-hansen

Drives Pulse state

curr_loc_status→ on_shelf
On Loan
location_name
External Location
location_reason
On Loan
isbn_issn→ isbn (when valid)
9780691162355

Descriptive

production_date
2017
object_type
Books/Document genres/Information forms/Visual and Verbal Communication
object_status
Accessioned
brief_description
This fascinating book presents the first cultural history and anthropology of the face across centuries, continents, and media. Ranging from funerary masks and masks in drama to the figural work of contemporary artists including Cindy Sherman and Nam June Paik, renowned art historian Hans Belting emphasizes that while the face plays a critical role in human communication, it defies attempts at visual representation. Belting divides his book into three parts: faces as masks of the self, portraiture as a constantly evolving mask in Western culture, and the fate of the face in the age of mass media. Referencing a vast array of sources, Belting's insights draw on art history, philosophy, theories of visual culture, and cognitive science. He demonstrates that Western efforts to portray the face have repeatedly failed, even with the developments of new media such as photography and film, which promise ever-greater degrees of verisimilitude. In spite of sitting at the heart of human expression, the face resists possession, and creative endeavors to capture it inevitably result in masks--hollow signifiers of the humanity they're meant to embody. From creations by Van Eyck and August Sander to works by Francis Bacon, Ingmar Bergman, and Chuck Close, Face and Mask takes a remarkable look at how, through the centuries, the physical visage has inspired and evaded artistic interpretation.

Subjects & people

authors→ author (initial fill only)
Hans Belting, Thomas S. Hansen, Abby J. Hansen
tags→ tags
Arts, Science, Social psychology, Psychology, Contemporary Art, Art, Modern -- 21st century, Art, Modern -- 20th century, Motion pictures, Performing arts, Social sciences, Civilisation, Sociology, Communication, Manners and customs, Theatre, Mass media, Cognitive science, Masks, Costume, Clothing and dress, Interpersonal relations, Face, Head, Art -- History, Visual communication, Civilisation, Western, Face in art, Facial expression, Body language, Interpersonal communication, Facial expression in art
subject_people
Ingmar Bergman, Andy Warhol (b.1928, d.1987), Hiroshi Sugimoto (Japanese, b.1948), Cindy Sherman (American, b.1954), William Shakespeare (English, d.1616), Rembrandt van Rijn (Dutch, b.1606, d.1669), Nam June Paik (b.1932, d.2006), Man Ray (b.1890, d.1976), Albrecht Dürer (b.1471, d.1528), Francis Bacon (Irish, b.1909, d.1992)
subject_objects
—

Cover image

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18925

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