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Ancient Maya art at Dumbarton Oaks
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Ancient Maya art at Dumbarton Oaks

by Joanne Pillsbury, Miriam Doutriaux, Reiko Ishihara-Brito, Alexandre Tokovinine, Bárbara Arroyo

This introduction to Maya art is based on a major American collection assembled between 1935 and 1962. It features detailed analyses of specific works alongside thematic essays that situate the objects within the wider context of Maya culture.

Accession 12570 ISBN 9780884023753 Publisher Dumbarton Oaks Research Library and Collection
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Curated Derived
Art Astronomy Collections Craft Culture Decorative Arts Geology Handicrafts History Institutions Linguistics Materials Political Science Science Sculpture Social Sciences Time
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position_updated_at
2026-06-04 12:23
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dimensions
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M:N4:2 4 Current horizontal
1 day, 23 hours ago
G:W1:17 5 vertical
4 days, 2 hours ago
M:N4:2 4 horizontal
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Identity

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Ancient Maya art at Dumbarton Oaks
vernon_id
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12570
vernon_slug
ancient-maya-art-at-dumbarton-oaks-edited-by-joanne-pillsbury-miriam-doutriaux-reiko-ishihara-brito-and-alexandre-tokovinine-with-additional-contributions-by-barbara-arroyo-and-14-others

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isbn_issn→ isbn (when valid)
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Descriptive

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2012
object_type
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object_status
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brief_description
Based on the comprehensive study of one of the most important collections of Maya art in the United States, Ancient Maya Art at Dumbarton Oaks is a scholarly introduction to one of the great traditions of sculpture and painting in ancient America. Assembled by Robert Woods Bliss between 1935 and 1962, the collection is historically important, as it was one of the first to be established on the basis of aesthetic criteria. The catalogue, written by leading international scholars of Maya archaeology, art history, and writing, contains detailed analyses of specific works of art along with thematic essays situating these works within the broader context of Maya culture. Monumental panels, finely worked jade ornaments, exquisitely painted ceramic vessels, and other objects-most created in the first millennium ce-are presented in full color and analyzed in light of recent breakthroughs in understanding their creation, function, and deeper meaning in Maya ritual and history. Individual essays address the history of the Dumbarton Oaks collection; Maya culture, history, and myth; and Maya aesthetics. They also study specific materials (including jade, shell, and fine ceramics) and their meanings.

Subjects & people

authors→ author (initial fill only)
Miriam Doutriaux, Reiko Ishihara-Brito, Alexandre Tokovinine, Bárbara Arroyo, Joanne Pillsbury
tags→ tags
Auxiliary sciences of history, Art, Arts, Science, Sculpture, Political science, Social sciences, Civilisation, Physical sciences, Calendars, Chronology, Historical, Maya art, Art, Central American, Mayan languages, Central America -- Languages, Public institutions, Associations, institutions, etc., Decorative arts, Furniture, Museums, Kings and rulers, Heads of state, Executive power, Jewellery, Handicraft, Pottery, Ceramics, Clay, Binders (Materials), Materials, Bowls, Tableware, Implements, utensils, etc., Decoration and ornament, Small sculpture, Flintknapping, Rock craft, Nature craft, Figurines, Rocks, Maya astronomy, Astronomy -- Central America, Maya calendar, Anthropological museums and collections, Pots, Containers, Glazing (Ceramics), Ethnological museums and collections, Beadwork, Fancy work, Flint, Sedimentary rocks
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