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A. Hoffman : sculpture / Andrew Edlin Gallery
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A. Hoffman : sculpture / Andrew Edlin Gallery

by Albert Hoffman

This second edition catalogue presents the posthumously discovered visual and literary works of a reclusive self-taught artist. It features watercolours and writings depicting a fantasy war led by child slaves against oppressive adults.

Accession 13696 ISBN 0977878317 Publisher Andrew Edlin Gallery
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TAGS
Curated Derived
Art Creativity Decorative Arts Imagination Narrative Sculpture
CONNECTIONS
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State
on_shelf
True
position_updated_at
2026-06-04 12:55
orientation
vertical
Details

Physical

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Hard Back
dimensions
none captured
spine_text
none captured

Metadata

Book form
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2 days, 12 hours ago
G:N1:12 5 vertical
5 days, 8 hours ago
G:N1:27 3 vertical
1 week, 2 days ago
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Updated 2 days, 11 hours ago
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Last synced 2026-05-27 14:40 (1 week, 3 days ago)

Identity

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A. Hoffman : sculpture / Andrew Edlin Gallery
vernon_id
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13696
vernon_slug
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location_reason
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isbn_issn→ isbn (when valid)
0977878317

Descriptive

production_date
2007
object_type
Books/Document genres/Information forms/Visual and Verbal Communication
object_status
Accessioned
brief_description
Catalogue of an exhibition held at the Andrew Edlin Gallery, New York, January 18 - March 17, 2007. Introductory essay by Andrew Edlin. Born in Philadelphia in 1915, Hoffman was forced to leave school after the eighth grade due to the onset of the Great Depression. As a child, he collected junk metal and painted simple scenes on neighbors' doors. After World War II, where he saw combat serving in the Navy, Hoffman returned to New Jersey to marry, settling down in the coastal town of Absecon, close to Atlantic City, where he established a thriving junkyard. Hoffman was a prolific carver whose work spans several genres. An important context for his practice is the rich vernacular tradition of Jewish Folk carving brought to America by generations of immigrants, which has yielded countless Torah arks, synagogue furniture, and Biblical narratives, as well as secular genres such as carousel horses that have become an integral part of American cultural history. Hoffman was not devoutly religious, but his Jewish identity was of great significance to him, especially when considering works such as The Ark, Tabernacle, and many of his smaller reliefs. Hoffman's quintessentially outsider transformation of the familiar to the archetypal can best be seen in works that explore his relationship to the sea, drawn from memories of Naval service, his shore life, and his rich imagination. It isn't hard to find rustic carvings along eastern boardwalks, but his monumental Toothed Whale, and uncanny Neptune, King of the Sea, mark this artist's departure from the commonplace. It is where Hoffman joins his global outsider counterparts in a transcendent realm of vision and youth.

Subjects & people

authors→ author (initial fill only)
Albert Hoffman
tags→ tags
Art, Arts, Sculpture, Decorative arts, Wood sculpture, Small sculpture, Outsider art, Carving (Decorative arts)
subject_people
Albert Hoffman (American, b.1915, d.1993)
subject_objects
—

Cover image

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Topics and Themes