Skip to main content
G:W1:17 2
Edit position
Edit position

Last set 2 hours, 18 minutes ago. Manual moves override automatic placement until the next shelfie/spine match.

Loading shelves…
Métamatic reloaded
Diagnose this book
Open in Vernon Browser

Métamatic reloaded

by Museum Tinguely

This volume explores the contemporary relevance of drawing machines in art, presenting ten projects commissioned by the Metamatic Research Initiative in response to Jean Tinguely's pioneering Méta-Matics series.

Accession 16515 ISBN 9783868284522 Publisher Museum Tinguely
Book Images
Reference and live side by side Hover to see live images
Reference
Métamatic reloaded spine
Métamatic reloaded cover
Live
Métamatic reloaded live spine
No live
Métamatic reloaded spine Métamatic reloaded live spine
Métamatic reloaded cover
No live
TAGS
Curated Derived
Art
CONNECTIONS
No connections
State
on_shelf
True
position_updated_at
2026-06-12 20:20
orientation
vertical
position_confidence
1.00
Details

Physical

binding_type
Hard Back
dimensions
none captured
spine_text
none captured

Metadata

Book form
LOCATION HISTORY
3 moves in 14d
G:W1:17 2 Current vertical 1.00 conf
2 hours, 49 minutes ago Moved to this shelf Latest update
G:W1:17 2 vertical 0.94 conf
2 hours, 50 minutes ago Moved to this shelf Latest update
G:W1:2 3 vertical 1.00 conf
1 week, 2 days ago Latest update
Book Location
Updated 2 hours, 18 minutes ago
Vernon snapshot
View live

Frozen copy of Vernon's record from the last sync. Fields tagged → flow back into the Pulse record.

Last synced 2026-06-12 13:14 (9 hours, 24 minutes ago)

Identity

name→ title
Métamatic reloaded
vernon_id
25684
accession_no→ accession_number
16515
vernon_slug
metamatic-reloaded-museum-tinguely

Drives Pulse state

curr_loc_status→ on_shelf
On Shelf
location_name
Zone S1/Level 1/Phrontisterion/MONA
location_reason
On Shelf
isbn_issn→ isbn (when valid)
9783868284522

Descriptive

production_date
2014
object_type
Books/Document genres/Information forms/Visual and Verbal Communication, Exhibition catalogues/Catalogues/Document genres/Information forms/Visual and Verbal Communication
object_status
Accessioned
brief_description
In the mid-1950s Swiss artist Jean Tinguely (1925-1991) began the production of a series titled Méta-Matics: machines that produced art works. Tinguely not only problematized the introduction of the robotic machine as interface in our society, but also questioned the role of the artist, the art work, and the viewer. Recently the Metamatic Research Initiative in Amsterdam mounted a competition to explore the potential of drawing machines for art today.

Subjects & people

authors→ author (initial fill only)
Museum Tinguely
tags→ tags
Installations (Art), Art, Modern, Art, Modern -- 20th century, Kinetic art
subject_people
Marina Abramović (Serbia, b.1946), John Bock, Thomas Hirschhorn (b.1957)
subject_objects
—

Cover image

vernon_cover_image_id→ cover_image
29638

Raw Vernon JSON

click to inspect

The source payload behind the snapshot above.
Use ⌘F to search once expanded.
{7 keys}
"slug": "metamatic-reloaded-museum-tinguely"
"opacObjectId": "25684"
"opacCollection": {1 keys}
"opacCollectionId": "1"
"imagesCollection": {2 keys}
"images": [1 items]
"[0]": {5 keys}
"imageId": "29638"
"cssColors": [3 items]
"[0]": {9 keys}
"hex": "4169e1"
"hue": 225
"rank": 1
"presence": 14.71
"colorName": "royalblue"
"lightness": 57
"colorGroup": "blue"
"saturation": 73
"formattedColorName": "royal blue"
"[1]": {9 keys}
"hex": "778899"
"hue": 210
"rank": 2
"presence": 77.34
"colorName": "lightslategray"
"lightness": 53
"colorGroup": "gray"
"saturation": 14
"formattedColorName": "light slate gray"
"[2]": {9 keys}
"hex": "b0c4de"
"hue": 214
"rank": 3
"presence": 7.89
"colorName": "lightsteelblue"
"lightness": 78
"colorGroup": "blue"
"saturation": 41
"formattedColorName": "light steel blue"
"rawColors": [7 items]
"[0]": {6 keys}
"hex": "3a5394"
"hue": 223
"rank": 1
"presence": 14.71
"lightness": 40
"saturation": 43
"[1]": {6 keys}
"hex": "f7f8f9"
"hue": 210
"rank": 2
"presence": 77.34
"lightness": 97
"saturation": 14
"[2]": {6 keys}
"hex": "97a9d4"
"hue": 222
"rank": 3
"presence": 7.89
"lightness": 71
"saturation": 41
"[3]": {6 keys}
"hex": "7c7c73"
"hue": 60
"rank": 4
"presence": 0.02
"lightness": 46
"saturation": 3
"[4]": {6 keys}
"hex": "7c747f"
"hue": 283
"rank": 5
"presence": 0.01
"lightness": 47
"saturation": 4
"[5]": {6 keys}
"hex": "bcb4c2"
"hue": 274
"rank": 6
"presence": 0.02
"lightness": 73
"saturation": 10
"[6]": {6 keys}
"hex": "74a4f4"
"hue": 217
"rank": 7
"presence": 0.0
"lightness": 70
"saturation": 85
"imageLabels": [10 items]
"[0]": {5 keys}
"count": 10019
"score": 87.99
"status": "auto_verified"
"imageLabel": "Rectangle"
"imageLabelId": 11
"[1]": {5 keys}
"count": 19421
"score": 84.62
"status": "auto_verified"
"imageLabel": "Font"
"imageLabelId": 12
"[2]": {5 keys}
"count": 962
"score": 80.13
"status": "auto_verified"
"imageLabel": "Material property"
"imageLabelId": 184
"[3]": {5 keys}
"count": 1673
"score": 78.84
"status": "auto_verified"
"imageLabel": "Parallel"
"imageLabelId": 107
"[4]": {5 keys}
"count": 3985
"score": 69.78
"status": "auto_verified"
"imageLabel": "Electric blue"
"imageLabelId": 49
"[5]": {5 keys}
"count": 674
"score": 66.1
"status": "auto_verified"
"imageLabel": "Slope"
"imageLabelId": 92
"[6]": {5 keys}
"count": 5578
"score": 65.15
"status": "auto_verified"
"imageLabel": "Pattern"
"imageLabelId": 24
"[7]": {5 keys}
"count": 484
"score": 61.19
"status": "auto_verified"
"imageLabel": "Number"
"imageLabelId": 82
"[8]": {5 keys}
"count": 3476
"score": 60.16
"status": "auto_verified"
"imageLabel": "Paper"
"imageLabelId": 54
"[9]": {5 keys}
"count": 1134
"score": 58.89
"status": "auto_verified"
"imageLabel": "Document"
"imageLabelId": 253
"imageDerivatives": [6 items]
"[0]": {4 keys}
"url": "https://browser.mona.net.au/records/images/large/19327/4e44a1b0b92423f96c57f87d08eb4e3111504690.jpg"
"width": "572"
"height": "800"
"identifier": "LARGE"
"[1]": {4 keys}
"url": "https://browser.mona.net.au/records/images/medium/19327/4e44a1b0b92423f96c57f87d08eb4e3111504690.jpg"
"width": "286"
"height": "400"
"identifier": "MEDIUM"
"[2]": {4 keys}
"url": "https://browser.mona.net.au/records/images/nano/19327/4e44a1b0b92423f96c57f87d08eb4e3111504690.jpg"
"width": "25"
"height": "35"
"identifier": "NANO"
"[3]": {4 keys}
"url": "https://browser.mona.net.au/records/images/small/19327/4e44a1b0b92423f96c57f87d08eb4e3111504690.jpg"
"width": "107"
"height": "150"
"identifier": "SMALL"
"[4]": {4 keys}
"url": "https://browser.mona.net.au/records/images/tiny/19327/4e44a1b0b92423f96c57f87d08eb4e3111504690.jpg"
"width": "54"
"height": "75"
"identifier": "TINY"
"[5]": {4 keys}
"url": "https://browser.mona.net.au/records/images/xlarge/19327/4e44a1b0b92423f96c57f87d08eb4e3111504690.jpg"
"width": "595"
"height": "832"
"identifier": "XLARGE"
"totalImages": 1
"objectSearchScore": 0.3068925
"opacObjectFieldSets": [40 items]
"[0]": {2 keys}
"identifier": "accession_no"
"opacObjectFields": [1 items]
"[0]": {1 keys}
"value": "16515"
"[1]": {2 keys}
"identifier": "name"
"opacObjectFields": [1 items]
"[0]": {2 keys}
"value": "Métamatic reloaded / Museum Tinguely"
"opacObjectFieldAttributes": [1 items]
"[0]": {2 keys}
"key": "title"
"value": "Métamatic reloaded / Museum Tinguely"
"[2]": {2 keys}
"identifier": "other_name"
"opacObjectFields": [1 items]
"[0]": {1 keys}
"value": ""
"[3]": {2 keys}
"identifier": "artist_last_first"
"opacObjectFields": [1 items]
"[0]": {1 keys}
"value": "Museum Tinguely"
"[4]": {2 keys}
"identifier": "prod_pri_date"
"opacObjectFields": [1 items]
"[0]": {2 keys}
"value": "2014"
"opacObjectFieldAttributes": [2 items]
"[0]": {2 keys}
"key": "earliest_date"
"value": "2014-01-01Z"
"[1]": {2 keys}
"key": "latest_date"
"value": "2014-12-31Z"
"[5]": {2 keys}
"identifier": "prod_pri_date_notes"
"opacObjectFields": [1 items]
"[0]": {1 keys}
"value": ""
"[6]": {2 keys}
"identifier": "edition"
"opacObjectFields": [1 items]
"[0]": {1 keys}
"value": ""
"[7]": {2 keys}
"identifier": "brief_desc"
"opacObjectFields": [1 items]
"[0]": {1 keys}
"value": "In the mid-1950s Swiss artist Jean Tinguely (1925-1991) began the production of a series titled Méta-Matics: machines that produced art works. Tinguely not only problematized the introduction of the robotic machine as interface in our society, but also questioned the role of the artist, the art work, and the viewer. Recently the Metamatic Research Initiative in Amsterdam mounted a competition to explore the potential of drawing machines for art today."
"[8]": {2 keys}
"identifier": "measure_desc"
"opacObjectFields": [1 items]
"[0]": {1 keys}
"value": ""
"[9]": {2 keys}
"identifier": "credit_line"
"opacObjectFields": [1 items]
"[0]": {1 keys}
"value": ""
"[10]": {2 keys}
"identifier": "curr_loc_status"
"opacObjectFields": [1 items]
"[0]": {2 keys}
"value": "On Shelf"
"opacObjectFieldAttributes": [1 items]
"[0]": {2 keys}
"key": "search"
"value": "curr_loc_status:"On Shelf""
"[11]": {2 keys}
"identifier": "ob_status"
"opacObjectFields": [1 items]
"[0]": {1 keys}
"value": "Accessioned"
"[12]": {2 keys}
"identifier": "lender"
"opacObjectFields": [1 items]
"[0]": {1 keys}
"value": ""
"[13]": {2 keys}
"identifier": "copyright_owner"
"opacObjectFields": [1 items]
"[0]": {1 keys}
"value": ""
"[14]": {2 keys}
"identifier": "copyright_type"
"opacObjectFields": [1 items]
"[0]": {1 keys}
"value": ""
"[15]": {2 keys}
"identifier": "copyright_start"
"opacObjectFields": [0 items]
"[16]": {2 keys}
"identifier": "copyright_expiry"
"opacObjectFields": [0 items]
"[17]": {2 keys}
"identifier": "copyright_notes"
"opacObjectFields": [1 items]
"[0]": {1 keys}
"value": ""
"[18]": {2 keys}
"identifier": "curr_loc"
"opacObjectFields": [1 items]
"[0]": {1 keys}
"value": "Zone S1/Level 1/Phrontisterion/MONA"
"[19]": {2 keys}
"identifier": "object_type"
"opacObjectFields": [2 items]
"[0]": {2 keys}
"value": "Books/Document genres/Information forms/Visual and Verbal Communication"
"opacObjectFieldAttributes": [1 items]
"[0]": {2 keys}
"key": "search"
"value": "object_type:"Books/Document genres/Information forms/Visual and Verbal Communication""
"[1]": {2 keys}
"value": "Exhibition catalogues/Catalogues/Document genres/Information forms/Visual and Verbal Communication"
"opacObjectFieldAttributes": [1 items]
"[0]": {2 keys}
"key": "search"
"value": "object_type:"Exhibition catalogues/Catalogues/Document genres/Information forms/Visual and Verbal Communication""
"[20]": {2 keys}
"identifier": "collection"
"opacObjectFields": [1 items]
"[0]": {2 keys}
"value": "Main Collection/Library"
"opacObjectFieldAttributes": [1 items]
"[0]": {2 keys}
"key": "search"
"value": "collection:"Main Collection/Library""
"[21]": {2 keys}
"identifier": "prod_pri_place"
"opacObjectFields": [1 items]
"[0]": {1 keys}
"value": "Basel/Switzerland"
"[22]": {2 keys}
"identifier": "prod_pri_publisher"
"opacObjectFields": [1 items]
"[0]": {1 keys}
"value": "Museum Tinguely"
"[23]": {2 keys}
"identifier": "physical_notes"
"opacObjectFields": [1 items]
"[0]": {1 keys}
"value": "239 pages : illustrations (some colour) ; 24 cm."
"[24]": {2 keys}
"identifier": "language"
"opacObjectFields": [2 items]
"[0]": {1 keys}
"value": "English"
"[1]": {1 keys}
"value": "German"
"[25]": {2 keys}
"identifier": "isbn_issn"
"opacObjectFields": [1 items]
"[0]": {1 keys}
"value": "9783868284522"
"[26]": {2 keys}
"identifier": "user_sym_1"
"opacObjectFields": [1 items]
"[0]": {1 keys}
"value": "730.92 TIN"
"[27]": {2 keys}
"identifier": "usual_loc_being"
"opacObjectFields": [1 items]
"[0]": {1 keys}
"value": "Zone S1/Level 1/Phrontisterion/MONA"
"[28]": {2 keys}
"identifier": "subject_class"
"opacObjectFields": [2 items]
"[0]": {2 keys}
"value": "Installations (Art)/Art, Modern"
"opacObjectFieldAttributes": [1 items]
"[0]": {2 keys}
"key": "search"
"value": "subject_class:"Installations (Art)/Art, Modern""
"[1]": {2 keys}
"value": "Kinetic art/Art, Modern -- 20th century"
"opacObjectFieldAttributes": [1 items]
"[0]": {2 keys}
"key": "search"
"value": "subject_class:"Kinetic art/Art, Modern -- 20th century""
"[29]": {2 keys}
"identifier": "subject_date"
"opacObjectFields": [0 items]
"[30]": {2 keys}
"identifier": "subject_event"
"opacObjectFields": [1 items]
"[0]": {2 keys}
"value": "Métamatic Reloaded; 23 Oct 2013-26 Jan 2014"
"opacObjectFieldAttributes": [1 items]
"[0]": {2 keys}
"key": "search"
"value": "subject_event:"Métamatic Reloaded; 23 Oct 2013-26 Jan 2014""
"[31]": {2 keys}
"identifier": "subject_period"
"opacObjectFields": [1 items]
"[0]": {1 keys}
"value": ""
"[32]": {2 keys}
"identifier": "subject_object"
"opacObjectFields": [1 items]
"[0]": {1 keys}
"value": ""
"[33]": {2 keys}
"identifier": "subject_person"
"opacObjectFields": [3 items]
"[0]": {2 keys}
"value": "Marina Abramović (Serbia, b.1946)"
"opacObjectFieldAttributes": [1 items]
"[0]": {2 keys}
"key": "search"
"value": "subject_person:"Marina Abramović (Serbia, b.1946)""
"[1]": {2 keys}
"value": "John Bock"
"opacObjectFieldAttributes": [1 items]
"[0]": {2 keys}
"key": "search"
"value": "subject_person:"John Bock""
"[2]": {2 keys}
"value": "Thomas Hirschhorn (b.1957)"
"opacObjectFieldAttributes": [1 items]
"[0]": {2 keys}
"key": "search"
"value": "subject_person:"Thomas Hirschhorn (b.1957)""
"[34]": {2 keys}
"identifier": "subject_place"
"opacObjectFields": [1 items]
"[0]": {1 keys}
"value": ""
"[35]": {2 keys}
"identifier": "assoc_person"
"opacObjectFields": [1 items]
"[0]": {1 keys}
"value": ""
"[36]": {2 keys}
"identifier": "assoc_place"
"opacObjectFields": [1 items]
"[0]": {1 keys}
"value": ""
"[37]": {2 keys}
"identifier": "assoc_event"
"opacObjectFields": [1 items]
"[0]": {1 keys}
"value": ""
"[38]": {2 keys}
"identifier": "assoc_object"
"opacObjectFields": [1 items]
"[0]": {1 keys}
"value": ""
"[39]": {2 keys}
"identifier": "user_sym_9"
"opacObjectFields": [1 items]
"[0]": {1 keys}
"value": ""
"relationshipsCollection": {2 keys}
"relationships": [1 items]
"[0]": {4 keys}
"relatedRecords": [1 items]
"[0]": {3 keys}
"slug": "museum-tinguely"
"title": "Museum Tinguely"
"relatedRecordId": "26064"
"relationshipId": "object_prod_pri_person"
"relatedRecordType": "person"
"totalRelatedRecords": 1
"totalRelationships": 1
Topics and Themes