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Museum skepticism : a history of the display of art in public galleries
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Museum skepticism : a history of the display of art in public galleries

by David Carrier

An examination of the history, evolution, and declining public role of the art museum. Through historical case studies, it analyses how curators, collectors, and architecture influence how art is perceived, and explores how museums must adapt to remain relevant.

Accession 2028 ISBN 9780822336822 Publisher Duke University Press
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TAGS
Curated Derived
Architecture Art History Institutions
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2026-06-15 20:43
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Details

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Hard Back
dimensions
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spine_text
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Metadata

Book form
LOCATION HISTORY
M:N2:4 6 Current vertical 1.00 conf
8 hours, 24 minutes ago Moved to this shelf
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Identity

name→ title
Museum skepticism : a history of the display of art in public galleries
vernon_id
5920
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2028
vernon_slug
museum-skepticism-a-history-of-the-display-of-art-in-public-galleries-david-carrier

Drives Pulse state

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location_name
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location_reason
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isbn_issn→ isbn (when valid)
9780822336822

Descriptive

production_date
2006
object_type
Books/Document genres/Information forms/Visual and Verbal Communication
object_status
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brief_description
Art historian David Carrier traces the birth, evolution, and decline of the public art museum as an institution meant to spark democratic debate and discussion. Using case studies like the Louvre and the Isabella Gardner Museum, Carrier examines the ways museums influence how art is seen: through their architecture, their collections, and the narratives they offer visitors.

Subjects & people

authors→ author (initial fill only)
David Carrier
tags→ tags
Architecture, Art, Arts, Art -- Exhibitions, History, Public institutions, Associations, institutions, etc., Museums, Art museum architecture, Museum architecture, Art museums, Museum techniques, Museum studies, Architecture -- Exhibitions, Museums -- Social aspects, Art museums -- Philosophy
subject_people
Musée du Louvre, J. Paul Getty Museum, Isabella Stewart Gardner Museum
subject_objects
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