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Contemporary Australian printmaking : an interpretive history
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Contemporary Australian printmaking : an interpretive history

by Sasha Grishin

An examination of the role of printmaking in contemporary Australian art and visual communication. The text analyses techniques such as etching, screenprinting, and woodcuts through the work of key artists including George Baldessin, Bea Maddock, and Barbara Hanrahan.

Accession 26143 ISBN 9768097760 Publisher Craftsman House
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Contemporary Australian printmaking : an interpretive history spine
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TAGS
Curated Derived
Art Drawing Handicrafts Technology
CONNECTIONS
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State
on_shelf
True
position_updated_at
2026-06-03 16:44
orientation
vertical
Details

Physical

binding_type
Hard Back
dimensions
none captured
spine_text
none captured

Metadata

Book form
LOCATION HISTORY
G:N1:11 4 Current vertical
2 days, 20 hours ago
G:W1:11 4 vertical
4 days ago
G:N1:17 3 vertical
4 days, 21 hours ago
G:N1:11 4 vertical
1 week, 1 day ago
G:N1:17 4 vertical
1 week, 2 days ago
G:N1:9 6 horizontal
1 week, 2 days ago
Book Location
Updated 2 days, 20 hours ago
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Last synced 2026-05-26 08:10 (1 week, 4 days ago)

Identity

name→ title
Contemporary Australian printmaking : an interpretive history
vernon_id
36775
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26143
vernon_slug
contemporary-australian-printmaking-an-interpretive-history-sasha-grishin

Drives Pulse state

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On Shelf, On Shelf
location_name
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location_reason
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isbn_issn→ isbn (when valid)
9768097760

Descriptive

production_date
1994
object_type
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object_status
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brief_description
This brief record was created for storage and loan purposes

Subjects & people

authors→ author (initial fill only)
Sasha Grishin
tags→ tags
Art, Arts, Graphic arts, Art, Australian, Prints, Relief printing, Printing
subject_people
—
subject_objects
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Cover image

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42715

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