Accession Number: 28618
Site: Vernon O Content
Collection: N/A
Location: N/A
Binding Type: Hard Back
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Wood", "opacObjectFieldAttributes": [ { "key": "title", "value": "The embedded portrait : Giotto, Giottino, Angelico / Christopher S. Wood" } ] } ] }, { "identifier": "other_name", "opacObjectFields": [ { "value": "" } ] }, { "identifier": "artist_last_first", "opacObjectFields": [ { "value": "Wood, Christopher S." } ] }, { "identifier": "prod_pri_date", "opacObjectFields": [ { "value": "2023", "opacObjectFieldAttributes": [ { "key": "earliest_date", "value": "2023-01-01Z" }, { "key": "latest_date", "value": "2023-12-31Z" } ] } ] }, { "identifier": "prod_pri_date_notes", "opacObjectFields": [ { "value": "" } ] }, { "identifier": "edition", "opacObjectFields": [ { "value": "" } ] }, { "identifier": "brief_desc", "opacObjectFields": [ { "value": "In fourteenth-century Italy, ever more women and men—not only clergy but also laity—introduced their own portraits into sacred paintings. Images of modern supplicants, submissive and prayerful, shared space with the holy narratives. The portraits mimicked the first worshippers of Christ: Mary, the Three Magi, Mary Magdalene. At the same time, they modelled, for modern viewers, ideal involvement in the emotion-laden stories. In The Embedded Portrait, Christopher S. 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