Skip to main content
Withdrawn
Edit position
Edit position

No position recorded yet. Picking a shelf here sets the manual override.

A history of pictures : from cave to the computer screen / David Hockney & Martin Gayford
Diagnose this book
Open in Vernon Browser

A history of pictures : from cave to the computer screen / David Hockney & Martin Gayford

by David Hockney, Martin Gayford

No description yet.

Accession 28766 ISBN 9780500239490 Publisher Thames & Hudson
Book Images
Reference and live side by side Hover to see live images
Reference
A history of pictures : from cave to the computer screen / David Hockney & Martin Gayford cover
Live
No live
No live
No live
A history of pictures : from cave to the computer screen / David Hockney & Martin Gayford cover
No live
TAGS
Curated Derived
Art Creativity Painting Writing
CONNECTIONS
No connections
State
on_shelf
False
position_updated_at
never
orientation
unknown
Details

Physical

binding_type
Hard Back
dimensions
none captured
spine_text
none captured
LOCATION HISTORY
No location history available for this book.
Vernon snapshot
View live

Frozen copy of Vernon's record from the last sync. Fields tagged → flow back into the Pulse record.

Last synced 2026-05-21 01:58 (3 days, 21 hours ago)

Identity

name→ title
A history of pictures : from cave to the computer screen / David Hockney & Martin Gayford
vernon_id
40828
accession_no→ accession_number
28766
vernon_slug
a-history-of-pictures-from-cave-to-the-computer-screen-david-hockney-martin-gayford

Drives Pulse state

curr_loc_status→ on_shelf
Transit
location_name
MPR/Level 1/Phrontisterion/MONA
location_reason
Transit
isbn_issn→ isbn (when valid)
9780500239490

Descriptive

production_date
2016
object_type
Books/Document genres/Information forms/Visual and Verbal Communication
object_status
Accessioned
brief_description
The making of pictures has a history going back perhaps 100,000 years to an African shell used as a paint palette. Two-thirds of it is irrevocably lost, since the earliest images known to us are from about 40,000 years ago. But what a 40,000 years, explored here by David Hockney and Martin Gayford in a brilliantly original book. They privilege no medium, or period, or style, but instead, in 16 chapters, discuss how and why pictures have been made, and insistently link 'art' to human skills and human needs. -- publisher

Subjects & people

authors→ author (initial fill only)
Martin Gayford, David Hockney
tags→ tags
Art, Arts, Painting, Graphic arts, Rhetoric, Authorship, Art criticism, Criticism, Art -- History, Art appreciation
subject_people
—
subject_objects
—

Cover image

vernon_cover_image_id→ cover_image
52907

Raw Vernon JSON

click to inspect

The source payload behind the snapshot above.
Use ⌘F to search once expanded.
{7 keys}
"slug": "a-history-of-pictures-from-cave-to-the-computer-screen-david-hockney-martin-gayford"
"opacObjectId": "40828"
"opacCollection": {1 keys}
"opacCollectionId": "1"
"imagesCollection": {2 keys}
"images": [1 items]
"[0]": {5 keys}
"imageId": "52907"
"cssColors": [4 items]
"[0]": {9 keys}
"hex": "4682b4"
"hue": 207
"rank": 1
"presence": 88.24
"colorName": "steelblue"
"lightness": 49
"colorGroup": "blue"
"saturation": 44
"formattedColorName": "steel blue"
"[1]": {9 keys}
"hex": "db7093"
"hue": 340
"rank": 2
"presence": 3.78
"colorName": "palevioletred"
"lightness": 65
"colorGroup": "pink"
"saturation": 60
"formattedColorName": "pale violet red"
"[2]": {9 keys}
"hex": "b0e0e6"
"hue": 187
"rank": 3
"presence": 1.67
"colorName": "powderblue"
"lightness": 80
"colorGroup": "blue"
"saturation": 52
"formattedColorName": "powder blue"
"[3]": {9 keys}
"hex": "708090"
"hue": 210
"rank": 4
"presence": 4.13
"colorName": "slategray"
"lightness": 50
"colorGroup": "gray"
"saturation": 13
"formattedColorName": "slate gray"
"rawColors": [7 items]
"[0]": {6 keys}
"hex": "2760a1"
"hue": 211
"rank": 1
"presence": 88.24
"lightness": 39
"saturation": 61
"[1]": {6 keys}
"hex": "b8778d"
"hue": 339
"rank": 2
"presence": 3.78
"lightness": 59
"saturation": 31
"[2]": {6 keys}
"hex": "7ebfcf"
"hue": 191
"rank": 3
"presence": 1.67
"lightness": 65
"saturation": 45
"[3]": {6 keys}
"hex": "6f7295"
"hue": 235
"rank": 4
"presence": 4.13
"lightness": 50
"saturation": 15
"[4]": {6 keys}
"hex": "4d94af"
"hue": 196
"rank": 5
"presence": 2.02
"lightness": 49
"saturation": 38
"[5]": {6 keys}
"hex": "654657"
"hue": 327
"rank": 6
"presence": 0.1
"lightness": 33
"saturation": 18
"[6]": {6 keys}
"hex": "7ba5d7"
"hue": 212
"rank": 7
"presence": 0.05
"lightness": 66
"saturation": 53
"imageLabels": [5 items]
"[0]": {5 keys}
"count": 15171
"score": 74.82
"status": "auto_verified"
"imageLabel": "Book"
"imageLabelId": 67
"[1]": {5 keys}
"count": 19018
"score": 73.6
"status": "auto_verified"
"imageLabel": "Publication"
"imageLabelId": 23
"[2]": {5 keys}
"count": 933
"score": 64.72
"status": "auto_verified"
"imageLabel": "Handwriting"
"imageLabelId": 201
"[3]": {5 keys}
"count": 4954
"score": 56.72
"status": "auto_verified"
"imageLabel": "Science"
"imageLabelId": 180
"[4]": {5 keys}
"count": 12694
"score": 54.13
"status": "auto_verified"
"imageLabel": "Book cover"
"imageLabelId": 90
"imageDerivatives": [6 items]
"[0]": {4 keys}
"url": "https://browser.mona.net.au/records/images/large/36177/e9205d66432dc2ffc7314bc9c50d3187ff540177.jpg"
"width": "625"
"height": "800"
"identifier": "LARGE"
"[1]": {4 keys}
"url": "https://browser.mona.net.au/records/images/medium/36177/e9205d66432dc2ffc7314bc9c50d3187ff540177.jpg"
"width": "313"
"height": "400"
"identifier": "MEDIUM"
"[2]": {4 keys}
"url": "https://browser.mona.net.au/records/images/nano/36177/e9205d66432dc2ffc7314bc9c50d3187ff540177.jpg"
"width": "27"
"height": "35"
"identifier": "NANO"
"[3]": {4 keys}
"url": "https://browser.mona.net.au/records/images/small/36177/e9205d66432dc2ffc7314bc9c50d3187ff540177.jpg"
"width": "117"
"height": "150"
"identifier": "SMALL"
"[4]": {4 keys}
"url": "https://browser.mona.net.au/records/images/tiny/36177/e9205d66432dc2ffc7314bc9c50d3187ff540177.jpg"
"width": "59"
"height": "75"
"identifier": "TINY"
"[5]": {4 keys}
"url": "https://browser.mona.net.au/records/images/xlarge/36177/e9205d66432dc2ffc7314bc9c50d3187ff540177.jpg"
"width": "938"
"height": "1200"
"identifier": "XLARGE"
"totalImages": 1
"objectSearchScore": 0.31199765
"opacObjectFieldSets": [40 items]
"[0]": {2 keys}
"identifier": "accession_no"
"opacObjectFields": [1 items]
"[0]": {1 keys}
"value": "28766"
"[1]": {2 keys}
"identifier": "name"
"opacObjectFields": [1 items]
"[0]": {2 keys}
"value": "A history of pictures : from cave to the computer screen / David Hockney & Martin Gayford"
"opacObjectFieldAttributes": [1 items]
"[0]": {2 keys}
"key": "title"
"value": "A history of pictures : from cave to the computer screen / David Hockney & Martin Gayford"
"[2]": {2 keys}
"identifier": "other_name"
"opacObjectFields": [1 items]
"[0]": {1 keys}
"value": ""
"[3]": {2 keys}
"identifier": "artist_last_first"
"opacObjectFields": [2 items]
"[0]": {1 keys}
"value": "Hockney, David"
"[1]": {1 keys}
"value": "Gayford, Martin"
"[4]": {2 keys}
"identifier": "prod_pri_date"
"opacObjectFields": [1 items]
"[0]": {2 keys}
"value": "2016"
"opacObjectFieldAttributes": [2 items]
"[0]": {2 keys}
"key": "earliest_date"
"value": "2016-01-01Z"
"[1]": {2 keys}
"key": "latest_date"
"value": "2016-12-31Z"
"[5]": {2 keys}
"identifier": "prod_pri_date_notes"
"opacObjectFields": [1 items]
"[0]": {1 keys}
"value": ""
"[6]": {2 keys}
"identifier": "edition"
"opacObjectFields": [1 items]
"[0]": {1 keys}
"value": ""
"[7]": {2 keys}
"identifier": "brief_desc"
"opacObjectFields": [1 items]
"[0]": {1 keys}
"value": "The making of pictures has a history going back perhaps 100,000 years to an African shell used as a paint palette. Two-thirds of it is irrevocably lost, since the earliest images known to us are from about 40,000 years ago. But what a 40,000 years, explored here by David Hockney and Martin Gayford in a brilliantly original book. They privilege no medium, or period, or style, but instead, in 16 chapters, discuss how and why pictures have been made, and insistently link 'art' to human skills and human needs. -- publisher"
"[8]": {2 keys}
"identifier": "measure_desc"
"opacObjectFields": [1 items]
"[0]": {1 keys}
"value": ""
"[9]": {2 keys}
"identifier": "credit_line"
"opacObjectFields": [1 items]
"[0]": {1 keys}
"value": ""
"[10]": {2 keys}
"identifier": "curr_loc_status"
"opacObjectFields": [1 items]
"[0]": {2 keys}
"value": "Transit"
"opacObjectFieldAttributes": [1 items]
"[0]": {2 keys}
"key": "search"
"value": "curr_loc_status:"Transit""
"[11]": {2 keys}
"identifier": "ob_status"
"opacObjectFields": [1 items]
"[0]": {1 keys}
"value": "Accessioned"
"[12]": {2 keys}
"identifier": "lender"
"opacObjectFields": [1 items]
"[0]": {1 keys}
"value": ""
"[13]": {2 keys}
"identifier": "copyright_owner"
"opacObjectFields": [1 items]
"[0]": {1 keys}
"value": ""
"[14]": {2 keys}
"identifier": "copyright_type"
"opacObjectFields": [1 items]
"[0]": {1 keys}
"value": ""
"[15]": {2 keys}
"identifier": "copyright_start"
"opacObjectFields": [0 items]
"[16]": {2 keys}
"identifier": "copyright_expiry"
"opacObjectFields": [0 items]
"[17]": {2 keys}
"identifier": "copyright_notes"
"opacObjectFields": [1 items]
"[0]": {1 keys}
"value": ""
"[18]": {2 keys}
"identifier": "curr_loc"
"opacObjectFields": [1 items]
"[0]": {1 keys}
"value": "MPR/Level 1/Phrontisterion/MONA"
"[19]": {2 keys}
"identifier": "object_type"
"opacObjectFields": [1 items]
"[0]": {2 keys}
"value": "Books/Document genres/Information forms/Visual and Verbal Communication"
"opacObjectFieldAttributes": [1 items]
"[0]": {2 keys}
"key": "search"
"value": "object_type:"Books/Document genres/Information forms/Visual and Verbal Communication""
"[20]": {2 keys}
"identifier": "collection"
"opacObjectFields": [1 items]
"[0]": {2 keys}
"value": "Main Collection/Library"
"opacObjectFieldAttributes": [1 items]
"[0]": {2 keys}
"key": "search"
"value": "collection:"Main Collection/Library""
"[21]": {2 keys}
"identifier": "prod_pri_place"
"opacObjectFields": [1 items]
"[0]": {1 keys}
"value": "London/England"
"[22]": {2 keys}
"identifier": "prod_pri_publisher"
"opacObjectFields": [1 items]
"[0]": {1 keys}
"value": "Thames & Hudson"
"[23]": {2 keys}
"identifier": "physical_notes"
"opacObjectFields": [1 items]
"[0]": {1 keys}
"value": ""
"[24]": {2 keys}
"identifier": "language"
"opacObjectFields": [1 items]
"[0]": {1 keys}
"value": "English"
"[25]": {2 keys}
"identifier": "isbn_issn"
"opacObjectFields": [1 items]
"[0]": {1 keys}
"value": "9780500239490"
"[26]": {2 keys}
"identifier": "user_sym_1"
"opacObjectFields": [1 items]
"[0]": {1 keys}
"value": "759.2 HOC"
"[27]": {2 keys}
"identifier": "usual_loc_being"
"opacObjectFields": [1 items]
"[0]": {1 keys}
"value": ""
"[28]": {2 keys}
"identifier": "subject_class"
"opacObjectFields": [4 items]
"[0]": {2 keys}
"value": "Art -- History/Arts"
"opacObjectFieldAttributes": [1 items]
"[0]": {2 keys}
"key": "search"
"value": "subject_class:"Art -- History/Arts""
"[1]": {2 keys}
"value": "Art criticism/Criticism/Rhetoric/Authorship"
"opacObjectFieldAttributes": [1 items]
"[0]": {2 keys}
"key": "search"
"value": "subject_class:"Art criticism/Criticism/Rhetoric/Authorship""
"[2]": {2 keys}
"value": "Art appreciation/Art criticism/Criticism/Rhetoric/Authorship"
"opacObjectFieldAttributes": [1 items]
"[0]": {2 keys}
"key": "search"
"value": "subject_class:"Art appreciation/Art criticism/Criticism/Rhetoric/Authorship""
"[3]": {2 keys}
"value": "Painting/Graphic arts/Art/Arts"
"opacObjectFieldAttributes": [1 items]
"[0]": {2 keys}
"key": "search"
"value": "subject_class:"Painting/Graphic arts/Art/Arts""
"[29]": {2 keys}
"identifier": "subject_date"
"opacObjectFields": [0 items]
"[30]": {2 keys}
"identifier": "subject_event"
"opacObjectFields": [1 items]
"[0]": {1 keys}
"value": ""
"[31]": {2 keys}
"identifier": "subject_period"
"opacObjectFields": [1 items]
"[0]": {1 keys}
"value": ""
"[32]": {2 keys}
"identifier": "subject_object"
"opacObjectFields": [1 items]
"[0]": {1 keys}
"value": ""
"[33]": {2 keys}
"identifier": "subject_person"
"opacObjectFields": [1 items]
"[0]": {1 keys}
"value": ""
"[34]": {2 keys}
"identifier": "subject_place"
"opacObjectFields": [1 items]
"[0]": {1 keys}
"value": ""
"[35]": {2 keys}
"identifier": "assoc_person"
"opacObjectFields": [1 items]
"[0]": {1 keys}
"value": ""
"[36]": {2 keys}
"identifier": "assoc_place"
"opacObjectFields": [1 items]
"[0]": {1 keys}
"value": ""
"[37]": {2 keys}
"identifier": "assoc_event"
"opacObjectFields": [1 items]
"[0]": {1 keys}
"value": ""
"[38]": {2 keys}
"identifier": "assoc_object"
"opacObjectFields": [1 items]
"[0]": {1 keys}
"value": ""
"[39]": {2 keys}
"identifier": "user_sym_9"
"opacObjectFields": [1 items]
"[0]": {1 keys}
"value": ""
"relationshipsCollection": {2 keys}
"relationships": [1 items]
"[0]": {4 keys}
"relatedRecords": [2 items]
"[0]": {3 keys}
"slug": "david-hockney"
"title": "David Hockney"
"relatedRecordId": "9461"
"[1]": {3 keys}
"slug": "martin-gayford"
"title": "Martin Gayford"
"relatedRecordId": "15640"
"relationshipId": "object_prod_pri_person"
"relatedRecordType": "person"
"totalRelatedRecords": 2
"totalRelationships": 1