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Francis Bacon

by Matthew Gale, Chris Stephens

This study examines the photographic source materials used by Francis Bacon, analysing his studio archive to reveal his preparatory methods, the role of chance, and the relationship between photography and his painting.

Accession 2989 ISBN — Publisher Tate Gallery
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TAGS
Curated Derived
Art Painting
CONNECTIONS
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State
on_shelf
True
position_updated_at
2026-06-21 11:05
orientation
vertical
position_confidence
1.00
Details

Physical

binding_type
Hard Back
dimensions
none captured
spine_text
none captured

Metadata

Book form
LOCATION HISTORY
G:N1:19 3 Current vertical 1.00 conf
3 weeks, 2 days ago Latest update
Book Location
Updated 3 hours, 57 minutes ago
Vernon snapshot
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Frozen copy of Vernon's record from the last sync. Fields tagged → flow back into the Pulse record.

Last synced 2026-06-20 21:55 (17 hours, 7 minutes ago)

Identity

name→ title
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vernon_slug
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Drives Pulse state

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location_reason
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isbn_issn→ isbn (when valid)
—

Descriptive

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object_type
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object_status
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brief_description
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Subjects & people

authors→ author (initial fill only)
Matthew Gale, Chris Stephens
tags→ tags
Art, Arts, Painting, Graphic arts, Art, Modern -- 20th century
subject_people
Francis Bacon (Irish, b.1909, d.1992)
subject_objects
—

Cover image

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37988

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