This work documents the 2004 production of Romeo and Juliet at Shakespeare's Globe, focusing on the recreation of original Elizabethan pronunciation. It analyses the Early Modern English sound system and the impact of historical speech on performance and reception.
Accession Number: 35193
Site: Vernon O Content
Collection: N/A
Location: N/A
Binding Type: Hard Back
| vernon_accession | 35193 |
| vernon_id | 47650 |
| vernon_slug | — |
| vernon_authors | David Crystal |
| vernon_tags | Shakespeare, William, 1564-1616 -- Criticism and interpretation |
| vernon_production_date | 2005 |
| vernon_brief_description | How did Shakespeare's plays sound when they were originally performed? How can we know, and could the original pronunciation ever be recreated? For three days in June 2004 Shakespeare's Globe presented their production of Romeo and Juliet in original, Shakespearian pronunciation. In an unusual blend of autobiography, narrative, and academic content, reflecting the unique nature of the experience, David Crystal recounts the first attempt in over 50 years to mount a full-length Shakespeare play in original pronunciation. -- publisher |
| vernon_object_type | Books/Document genres/Information forms/Visual and Verbal Communication |
| vernon_locations | In Processing |
| vernon_ob_status | Accessioned |
| vernon_isbn_issn | 9780521852135 |
| vernon_subject_people | William Shakespeare (English, d.1616) |
| vernon_subject_objects | — |
| vernon_subject_classes | — |
| vernon_last_sync_timestamp | 2026-04-28 10:20 |
| vernon_cover_image_id | — |