This work examines the intersection of art and science from 800 to 1600, focusing on how optics and geometry influenced religious expression. It features a range of artefacts and scientific instruments from Christian, Jewish, and Islamic traditions.
Accession Number: 35204
Site: Vernon O Content
Collection: N/A
Location: N/A
Binding Type: Hard Back
| vernon_accession | 35204 |
| vernon_id | 47662 |
| vernon_slug | — |
| vernon_authors | Kristen Collins, Nancy K. Turner |
| vernon_tags | Architecture, Art, Arts, Science, Physical sciences, Light, Electromagnetic waves, Electromagnetic theory, Electric fields, Field theory (Physics), Physics, Light in art, Light in architecture |
| vernon_production_date | 2024 |
| vernon_brief_description | Sumptuously illustrated with dazzling objects, this publication explores the ways art and science worked hand in hand in the Middle Ages and Renaissance. Through the manipulation of materials, such as gold, crystal, and glass, medieval artists created dazzling light-filled environments, evoking, in the everyday world, the layered realms of the divine. While contemporary society separates science and spirituality, the medieval world harnessed the science of light to better perceive and understand the sacred. From 800 to 1600, the study of astronomy, geometry, and optics emerged as a framework that was utilized by theologians and artists to comprehend both the sacred realm and the natural world. -- publisher |
| vernon_object_type | Books/Document genres/Information forms/Visual and Verbal Communication |
| vernon_locations | In Processing |
| vernon_ob_status | Accessioned |
| vernon_isbn_issn | 9781606069288 |
| vernon_subject_people | — |
| vernon_subject_objects | — |
| vernon_subject_classes | — |
| vernon_last_sync_timestamp | 2026-04-28 10:20 |
| vernon_cover_image_id | — |