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On repeat : how music plays the mind / Elizabeth Hellmuth Margulis
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On repeat : how music plays the mind / Elizabeth Hellmuth Margulis

by Elizabeth Hellmuth Margulis

This study explores the psychological and perceptual mechanisms of repetition in music, from compositional motifs to earworms. It integrates neuroscience and cognitive psychology to analyse why repetition is essential to musical intelligibility and human communication.

Accession 7701 ISBN 9780199990825 Publisher
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TAGS
Curated Derived
Communication Composition Culture Language Learning Life Sciences Music Philosophy Psychology Science Social Sciences The Mind
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dimensions
236.00 (H) × 157.00 (W) × 20.00 (T) mm
spine_text
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Identity

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On repeat : how music plays the mind / Elizabeth Hellmuth Margulis
vernon_id
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7701
vernon_slug
on-repeat-how-music-plays-the-mind-elizabeth-hellmuth-margulis

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Descriptive

production_date
2014
object_type
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brief_description
What is it about the music you love that makes you want to hear it again? Why do we crave a "hook" that returns, again and again, within the same piece? And how does a song end up getting stuck in your head? Whether it's a motif repeated throughout a composition, a sample looped under an electronic dance beat, a passage replayed incessantly by a musician in a practice room-or an "earworm" burrowing through your mind like a broken record-repetition is nearly as integral to music as the notes themselves. On Repeat offers the first in-depth inquiry into music's repetitive nature, focusing not on a particular style, or body of work, but on repertoire from across time periods and cultures. -- blurb

Subjects & people

authors→ author (initial fill only)
Elizabeth Hellmuth Margulis
tags→ tags
Science, Psychology, Life sciences, Social sciences, Civilisation, Sociology, Music, Language and languages, Communication, Biology, Brain, Central nervous system, Nervous system, Organs (Anatomy), Anatomy, Life, Cognition, Cognitive science, Senses and sensation, Neurophysiology, Neurobiology, Neurosciences, Medical sciences, Perception, Mind and body, Philosophical anthropology, Hearing, Music -- Psychological aspects, Composition (Music), Auditory perception, Repetition in music
subject_people
Ludwig van Beethoven (German, b.1770, d.1827), Wolfgang Amadeus Mozart (b.1756, d.1791)
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