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Cenote of sacrifice : Maya treasures from the Sacred Well at Chichen Itza
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Cenote of sacrifice : Maya treasures from the Sacred Well at Chichen Itza

by Clemency Coggins, Orrin Shane

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Accession 776 ISBN 0292710984 Publisher University of Texas Press
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TAGS
Curated Derived
Archaeology Art Communication Culture Death and Burial Decorative Arts Ethnology Folklore History Idols Materials Painting Philosophy Religion Sculpture Social Sciences
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True
position_updated_at
2026-05-21 11:26
orientation
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Details

Physical

binding_type
Hard Back
dimensions
none captured
spine_text
none captured
LOCATION HISTORY
M:N4:4 1 Current vertical
3 days, 12 hours ago
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Updated 3 days, 12 hours ago
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Identity

name→ title
Cenote of sacrifice : Maya treasures from the Sacred Well at Chichen Itza
vernon_id
4666
accession_no→ accession_number
776
vernon_slug
cenote-of-sacrifice-maya-treasures-from-the-sacred-well-at-chichen-itza

Drives Pulse state

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On Shelf
location_name
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location_reason
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isbn_issn→ isbn (when valid)
0292710984

Descriptive

production_date
1984
object_type
Books/Document genres/Information forms/Visual and Verbal Communication, Exhibition catalogues/Catalogues/Document genres/Information forms/Visual and Verbal Communication
object_status
Accessioned
brief_description
Chichén Itzá ("mouth of the well of the Itza") was one of the great centers of civilization in prehistoric America, serving between the eighth and twelfth centuries A.D. as a religious, economic, social, and political capital on the Yucatán Peninsula. Within the ancient city there were many natural wells or cenotes. One, within the ceremonial heart of the city, is an impressive natural feature with vertical limestone walls enclosing a deep pool of jade green water some eighty feet below ground level. This cenote, which gave the city its name, became a sacred shrine of Maya pilgrimage, described by one post-Conquest observer as similar to Jerusalem and Rome. Here, during the city's ascendancy and for centuries after its decline, the peoples of Yucatán consulted their gods and made ritual offerings of precious objects and living victims who were thought to receive prophecies. Although the well was described by Bishop Diego de Landa in the late sixteenth century, its contents were not known until the early 1900s when revealed by the work of Edward H. Thompson. Conducting excavations for the Peabody Museum of Harvard University, Thompson recovered almost thirty thousand artifacts, most ceremonially broken and many beautifully preserved by burial in the deep silt at the bottom of the well. The materials were sent to the Peabody Museum, where they remained, unexhibited, for over seventy years. In 1984, for the first time, nearly three hundred objects of gold, jade, copper, pottery, wood, copal, textile, and other materials from the collection were gathered into a traveling interpretive exhibition. No other archaeological exhibition had previously given this glimpse into Maya ritual life because no other collection had objects such as those found in the Sacred Cenote. Moreover, the objects from the Cenote come from throughout Mesoamerica and lower Central America, representing many artistic traditions. The exhibit and this, its accompanying catalog, marked the first time all of the different kinds of offerings have ever been displayed together, and the first time many have been published. Essays by Gordon R. Willey and Linnea H. Wren place the Cenote of Sacrifice and the great Maya city of Chichén Itzá within the larger context of Maya archaeology and history. The catalog entries, written by Clemency Chase Coggins, describe the objects displayed in the traveling exhibition. Some entries are brief descriptive statements; others develop short scholarly themes bearing on the function and interpretation of specific objects. Coggins' introductory essay describes how the objects were collected by Thompson and how the exhibition collection has been studied to reveal the periods of Cenote ritual and the changing practices of offering to the Sacred Cenote.

Subjects & people

authors→ author (initial fill only)
Orrin Shane, Clemency Coggins
tags→ tags
Art, Arts, Religion, Sculpture, Painting, Graphic arts, History, Archaeology, Social sciences, Civilisation, Sociology, Central America -- Civilisation, Communication, Maya art, Art, Central American, Indians of Central America, Ethnology -- Central America, Anthropology, Decorative arts, Antiquities, Material culture, Culture, Mythology, Wood sculpture, Metals, Jewellery, Precious stones, Minerals, Idols and images, Symbolism, Ceramics, Clay, Binders (Materials), Materials, Ritual, Worship, Sacrifice, Rites and ceremonies, Ritualism, Precious metals, Gold, Signs and symbols, Visual communication, Mexico -- Antiquities, Copper, Native element minerals, Jade, Indian art -- Central America, Chichén Itzá Site (Mexico), Emblems, Sceptres, Regalia (Insignia)
subject_people
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subject_objects
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Cover image

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