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After the end of art : contemporary art and the pale of history /​ Arthur C. Danto
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After the end of art : contemporary art and the pale of history /​ Arthur C. Danto

by Arthur C. Danto

This volume examines the shift of contemporary art into a posthistorical phase, arguing that traditional narratives no longer apply. It analyses the impact of Pop art and the emergence of a pluralistic landscape where the definition of art is no longer fixed.

Accession 8169 ISBN 0691011737 Publisher Princeton University Press
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Identity

name→ title
After the end of art : contemporary art and the pale of history /​ Arthur C. Danto
vernon_id
11971
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8169
vernon_slug
after-the-end-of-art-contemporary-art-and-the-pale-of-history-arthur-c-danto

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Descriptive

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1997
object_type
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brief_description
Danto argues that with the eclipse of abstract expressionism, art has deviated irrevocably from the narrative course that Vassari helped define for it in the Renaissance. Originally delivered as a series of professional lectures, these writings cover art history, pop art, "people's art," the future role of museums, and the critical contributions of Clement Greenberg.

Subjects & people

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Arthur C. Danto
tags→ tags
Art, Arts, Painting, Graphic arts, Art, Modern -- 20th century, Philosophy, Public institutions, Associations, institutions, etc., Art -- Philosophy, Museums, Rhetoric, Authorship, Art museums, Aesthetics, Conceptual art, Art criticism, Criticism, Art -- History, Painting, Modern -- 20th century, Pop art, Painting, Abstract, Abstract expressionism
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Andy Warhol (b.1928, d.1987), Clement Greenberg (American, b.1909, d.1994), Georg Hegel (German, b.1770, d.1831), Giorgio Vasari (Italian, b.1511, d.1574), Immanuel Kant (German, b.1724, d.1804), Jackson Pollock (American, b.1912, d.1956), Johannes Vermeer (b.1632, d.1675), Marcel Duchamp (French, b.1887, d.1968), Mark Rothko (American, b.1903, d.1970), Museum of Modern Art, Whitney Museum of American Art
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